![]() I explore the concept of a unified agential persona and discuss its role in imparting the song’s inherent rhetorical tension to the instrumental musical discourse. In Part Two, I offer a full transcription and close analysis of “My Foolish Heart,” showing how elements of group interaction work with and against the musical forces inherent in the model of perpetual motion to achieve an unconventional, dynamic use of double-time. I then develop a model of perpetual motion based on the musical forces inherent in this structure. I discuss meter and phrase structure and show how the relationship between the two is fixed in a formal structure of repeated choruses. I examine other recordings of ballads by this same trio in order to draw observations about normative ballad performance practice. Hatten) and its applicability to jazz performance. In Part One, I discuss Steve Larson’s theory of musical forces (expanded by Robert S. 1.5K 64K views 3 years ago If you would like the sheet music in PDF format, please visit my website at or send me an email at. This paper examines one performance in particular, of Victor Young’s “My Foolish Heart” as recorded in a live performance by the Bill Evans Trio in 1961. Most analyses of Bill Evans’ recordings, however, focus on his playing alone and fail to take group interaction into account. The Bill Evans Trio featuring bassist Scott LaFaro and drummer Paul Motian is widely regarded as one of the most important and influential piano trios in the history of jazz, lauded for its unparalleled level of group interaction. The piece gets its name from the notion that real-time computer-assisted processing, in which sound pressure waves are transduced into electrical energy, converted to digital data, artfully modified, converted back into electrical energy and transduced into sound waves, represents a “bending” of time. Through processes of controlled randomness, several electronic effects induce elements of chance into their realization so that no two performances of this work are exactly alike. Additionally, some elements of interaction are multi-dimensional, in that they rely on the participation of two or more performers fulfilling distinct roles in the interactive process with the computer in order to generate musical material. It was a great experience and I loved to learn and play their solos in this song. ![]() ![]() This transcription has been really tough to transcribe because of all the nuances used by the musicians and the counterpoint they show. Bill Evans My Foolish Heart December 2019 145. The track later appeared on a cd reissue (Polygram, 1990). The song, however, did not appear on the original album, and a second volume never appeared. Download & View Bill Evans My Foolish Heart Transcription as PDF for free. Violin Solo Digital Sheet Music for 'My Foolish Heart' by Ned Washington & Victor Young. The Evans trio performed My Foolish Heart at the 21 February 1966 concert from which the Verve album Bill Evans at Town Hall, Vol. The piece explores various combinations of interactive relationships between players and electronics, ranging from relatively basic processing effects to musical gestures achieved through stages of computer analysis, in which resulting sounds are crafted according to parameters of the incoming musical material. Song 'Romain' from the album 'Undercurrent' (1962), played by two great jazz musicians, Bill Evans & Jim Hall. Bill Evans My Foolish Heart Transcription pd49kkq728l9. " We'll Be Together Again" ( Carl T.Into the Bends of Time is a 40-minute work in seven movements for a large chamber orchestra with electronics, utilizing real-time computer-assisted processing of music performed by live musicians."When in Rome" ( Cy Coleman, Carolyn Leigh) – 2:55."Some Other Time" ( Leonard Bernstein, Betty Comden, Adolph Green) – 4:42."The Touch of Your Lips" ( Ray Noble) – 3:56." Young and Foolish" ( Albert Hague, Arnold B.Both albums plus alternate takes and additional tracks were released on The Complete Tony Bennett/Bill Evans Recordings by Fantasy in 2009. My Foolish Heart Piano Sheet Music - practice it with a downloadable bass and drums backing track. Their second album together, Together Again was released in 1977. The Tony Bennett Bill Evans Album is a 1975 studio album by singer Tony Bennett, accompanied by pianist Bill Evans.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |